Monday, March 19, 2012

It's exhibition time again!

True. It's another exhibition. So heres the media release info for y'all!


'A collection:2006-2012' will be opening at the Jo Felk Gallery, March 28th, 7:30pm. This exhibition will display a selection of past works from the 'Abundant', 'Mindmap' and 'Year of the Home' series, with the new addition of the first release of 3 LIMITED EDITION prints. These will be tiered pricing, so best to get in on the first release if you are interested!
Joanna is a local artist who has exhibited in several solo and group shows including charity events in the region. Her works can be found in private collections across Australia, New Zealand, Canada and the UK and has appeared in galleries in Newcastle, Sydney, Port Macquarie and even at Parliament House in Canberra. 


The Abundant series is a celebration of faith and significant places and presents a visual narrative for the metaphor ‘to dwell in high places’. The artist explores the concept of lifes ‘high points’ and ‘mountaintop experiences’ and our desire to stay in that space. The works in this series present a decidedly optimistic view of the world and could be described as almost sickeningly happy. Though the works are clearly joyful and playful, they are not without serious statement. Each piece appeals to us and urges us to live at a higher level, acknowledging and mximising moments of enlightenment and elation. Simple line work and exuberant colour typify these works that Joanna describes as expressionistic landscapes. The work is characterised by the repetition of cell-like shapes, scattered over the images like communities of people, clumps of trees, and beds of flowers, resulting in a highly patterned aesthetic.


The mindmap series includes paintings and works on paper that Joanna describes as a ‘transcendental view’- presenting the aerial and microscopic view simultaneously. She  spent much time studying rockpools, the movement of water through them and the life forms in them around Caves Beach, Bar Beach and Newcastle Beach and compares the movement of rockpools and the lines of water flow to the  process of mindmapping.
The Year of the Home series is much more illustrative than her other work and includes a collection of oil pastel and graphite miniatures. It is inspired by the artists convictions about homelife and family. The pieces incorporate what the artist calls ‘home iconography’ and explores ways of ‘doing life’- from the insanity of chasing toddlers to the joy and peace found in faith. The village views are crowded and chaotic yet retain a certain simplicity mixing symbols of various lifestyles- from caravans to igloos- with the things of everyday life- teacups and telephones, lawnmowers and cutlery. Each work presents the simultaneous complexity and simplicity of family life and the truth that, perhaps, we all need to return to the un-ornamented yet essential ‘stuff’ that is home.


Joanna's 'GOOD ART: ART FOR GOOD' cards will also be available, with all profits helping to provide life changing surgery for women in Nepal suffering uterine prolapse.
  • The prints are a limited edition of 100.  Prices increase based on a tiered pricing system as the edition sells out. The release of the first 20 of this edition will be at a set price per 11x14 inch print, but the price will rise after each release is sold and continue to rise as the edition nears it’s end (ie. prints 21-69, prints 70-90, and prints 91-100). Larger prints are also available.
  • A portion of sales of original works will be donated to the ADRA Australia ‘East Africa Drought Fund’.

Wednesday, March 14, 2012

sketchbook wednesday

I recently returned from a trip to Malawi and Kenya. Whilst I had hoped to sketch everyday, I really only managed a spot of sketching here and there...


 ...in some ways I wish I had done more, but at the same time I realise that it was more important for me to be in the moment rather than stuck in my sketchbook.

 Besides, after just a short time of sketching I filled so many pages in my sketchbook that  if I sketched everyday I think I would have easily filled four or five sketchbooks! 

 So I took lots of photos, and lots of journaling-so much writing!!!- making sure I put in loads of details about the scenery, the smell, the weather, the colours, the feel of the place and the people.

 Just wanted to share some pages from my journal-  they are all  very quick location sketches, graphite....very rough, but enough to get down an idea....



Wednesday, February 1, 2012

sketchbook wednesday

So. I finished it. That monster project that seemed like such a good idea at the time.


The first problem was that I...er...left it to the last minute. Kind of silly when I had probably 3-4 months to complete it.
The second problem was expectation and comparison. I mean...have you seen some of the photos and videos floating around of other peoples sketchbooks!?? Books that are so complete and cohesive, with such incredible workmanship, books that have been rebound with amazing covers and heavy weight paper, painted in, laboured over, and finished not like a sketchbook, but like a published illustrated anthology of everything that is amazing. [sigh]


I tried to plan something like that...but (other than running out of time) it wasn't  something that came easily. I guess to me a sketchbook is a natural organic flow of mistakes and ideas and whatever comes out. Accident ridden. Draft style.....but thats a little bit scary too because then everyone sees all the 'not so good' bits, and the unfinished bits, and the ideas that never really should have been.


oh man. It seems I had made it way more complicated than I wanted it to be. So with very little time left to deadline I jumped in with an 'it is what it is' mantra. I did raw sketches. Some turned out like illustrations. Some are cheesy. Some I really like.


So now it's done. My biggest regret/frustration was not bothering to rebind it with better quality paper. I would have reaaalllly liked to use lots more ink and watercolour for washes and bleeds and even some block colour backgrounds... but the thin paper in the sketchbook wouldn't hold up to it. (I tried a teensy bit of colour on one page and the paper rippled to billy-o. gah!! ) I sure did enjoy exploring some different ways of working (such as using reference photos, for example) and a chance to draw in a different style to the work in my portfolio from the last few years.


The theme I had originally chosen was "Treehouse" which allowed me to simply record and explore all things boyish and childhood and summer time and play. I stopped and watched my boys. I went through holiday photos. I considered their favourite activities.



Enough excuses. The process certainly has given me lots of ideas, inspiration and motivation to actually experiment some more. So in that sense, project success. (and posted on monday. what a relief!)








Friday, January 27, 2012

It's sketchbook wednesday....on friday. Thanks for grace!

 pencil drawing. my boy running down the dunes on a windy day. over and over and over. such fun! (wow. drawing sand dunes is super hard).
 charcoal drawing. kite flying with the littlest one. I quite like charcoal for large scale drawing but found using it in on this teeny tiny page very challenging and wasn't too happy with the result... but I got sick of it and gave up! ha!
this is a pencil drawing adapted from one of my favourite photos of my son. I usually hate working from photos (because the process is so lifeless and restrictive and the result is often flat) but thought I'd give it a go....for something different. I actually don't mind the adaptation and it sure is a quick way to work!

Wednesday, January 18, 2012

sketchbook wednesday

I've been really bad at keeping up with posting a page or two from my sketchbook every wednesday, but I'm am going to work on that!!  So here's a few pages from my summer holiday sketchbook....that really started as sketches but are becoming more and more illustrative. Ha. It's fun playing around with different things. 


So the process was to start with rough gestural sketches, with only a B pencil(so it's nice and light) then work over them refining and erasing (I never use an eraser!!)  with 4B, 5B and 8 B to add just a teeny about of tonal highlights but mainly good sharp edges and outlines....and then getting a clean and tidy drawing at the end.
I usually prefer a much more loose and sketchy style and I fear that these are becoming a little too 'cartoony'....but hey, it's a sketchbook...the place where you experiment and push and pull your drawing  and style and processes in all sorts of direction without the pressure of what is right, wrong, better or worse...it just is what it is.

 I love that about a sketchbook. It doesn't judge me.

Also, I guess this more illustrative approach was perhaps the best expressions of the subject-  a record of a summer of childhood memories.